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Eighty years ago, the whole of Belgium celebrated its liberation after four years of war and deprivation. Namur, badly scarred by the recent bombing in August 1944, did not give up on these celebrations. However, cohabitation with the Allied troops had to be organized, the return of prisoners was marked by the absence of many of them, the hardships of rationing were still very much a reality, the trials of collaborators marked the daily life of the people of Namur, and the reconstruction of the city kept the municipal authorities busy for a long time. This contribution examines various themes of the "post-liberation" period that have been addressed thanks to the contribution of previously unpublished archives, notably those of the US Army, which have now been declassified. Speaker: France TilmantRegistration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

Passionate about the stage since childhood, choreographer in youth companies and theater administrator, Nicole Hanot has developed expertise in the history of dance and theater, which she has taught at the Mosa Ballet School, shared in numerous articles, and documented through her collection of more than 2,000 books on the subject.Everyone is familiar, at least from images on the internet, with the shape of ancient theaters, without necessarily being able to differentiate between those of the Greek and Roman eras. And without knowing that there was one in Belgium! But what about after the fall of the Roman Empire? Where did actors, dancers, singers, and performers perform, and under what conditions? In the Middle Ages, during the Renaissance? When and where did the first "permanent" theaters of the modern era appear?Everyone also has an idea of what an Italian-style theater is, which became widespread in the 19th century, such as the Théâtre Royal in Namur or La Monnaie in Brussels. But how was it designed? Do you reserve a seat in the balcony or the gallery? Why do we wish the artist "Merde!" before the show? And what new architectural forms emerged in the 20th century?Take advantage of the "eye of the curtain" to take an amusing look at the evolution of Western theater, a richly illustrated lecture by Nicole Hanot!Registration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

Passionate about the stage since childhood, choreographer in youth companies and theater administrator, Nicole Hanot has developed expertise in the history of dance and theater, which she has taught at the Mosa Ballet School, shared in numerous articles, and documented through her collection of more than 2,000 books on the subject.Everyone is familiar, at least from images on the internet, with the shape of ancient theaters, without necessarily being able to differentiate between those of the Greek and Roman eras. And without knowing that there was one in Belgium! But what about after the fall of the Roman Empire? Where did actors, dancers, singers, and performers perform, and under what conditions? In the Middle Ages, during the Renaissance? When and where did the first "permanent" theaters of the modern era appear?Everyone also has an idea of what an Italian-style theater is, which became widespread in the 19th century, such as the Théâtre Royal in Namur or La Monnaie in Brussels. But how was it designed? Do you reserve a seat in the balcony or the gallery? Why do we wish the artist "Merde!" before the show? And what new architectural forms emerged in the 20th century?Take advantage of the "eye of the curtain" to take an amusing look at the evolution of Western theater, a richly illustrated lecture by Nicole Hanot!Registration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

Passionate about the stage since childhood, choreographer in youth companies and theater administrator, Nicole Hanot has developed expertise in the history of dance and theater, which she has taught at the Mosa Ballet School, shared in numerous articles, and documented through her collection of more than 2,000 books on the subject.Everyone is familiar, at least from images on the internet, with the shape of ancient theaters, without necessarily being able to differentiate between those of the Greek and Roman eras. And without knowing that there was one in Belgium! But what about after the fall of the Roman Empire? Where did actors, dancers, singers, and performers perform, and under what conditions? In the Middle Ages, during the Renaissance? When and where did the first "permanent" theaters of the modern era appear?Everyone also has an idea of what an Italian-style theater is, which became widespread in the 19th century, such as the Théâtre Royal in Namur or La Monnaie in Brussels. But how was it designed? Do you reserve a seat in the balcony or the gallery? Why do we wish the artist "Merde!" before the show? And what new architectural forms emerged in the 20th century?Take advantage of the "eye of the curtain" to take an amusing look at the evolution of Western theater, a richly illustrated lecture by Nicole Hanot!Registration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

Passionate about the stage since childhood, choreographer in youth companies and theater administrator, Nicole Hanot has developed expertise in the history of dance and theater, which she has taught at the Mosa Ballet School, shared in numerous articles, and documented through her collection of more than 2,000 books on the subject.Everyone is familiar, at least from images on the internet, with the shape of ancient theaters, without necessarily being able to differentiate between those of the Greek and Roman eras. And without knowing that there was one in Belgium! But what about after the fall of the Roman Empire? Where did actors, dancers, singers, and performers perform, and under what conditions? In the Middle Ages, during the Renaissance? When and where did the first "permanent" theaters of the modern era appear?Everyone also has an idea of what an Italian-style theater is, which became widespread in the 19th century, such as the Théâtre Royal in Namur or La Monnaie in Brussels. But how was it designed? Do you reserve a seat in the balcony or the gallery? Why do we wish the artist "Merde!" before the show? And what new architectural forms emerged in the 20th century?Take advantage of the "eye of the curtain" to take an amusing look at the evolution of Western theater, a richly illustrated lecture by Nicole Hanot!Registration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

Eighty years ago, the whole of Belgium celebrated its liberation after four years of war and deprivation. Namur, badly scarred by the recent bombing in August 1944, did not give up on these celebrations. However, cohabitation with the Allied troops had to be organized, the return of prisoners was marked by the absence of many of them, the hardships of rationing were still very much a reality, the trials of collaborators marked the daily life of the people of Namur, and the reconstruction of the city kept the municipal authorities busy for a long time. This contribution examines various themes of the "post-liberation" period that have been addressed thanks to the contribution of previously unpublished archives, notably those of the US Army, which have now been declassified. Speaker: France TilmantRegistration fee: €7 - UTAN members: €5More information on the UTAN website: https://www.utan.be/index.php/conferences

The city of Namur has changed considerably over the last 50 years, and even more so over the last 20. Among these changes, one aspect that is not highlighted is demographic evolution: low growth due solely to Belgians of foreign origin and non-Belgians. This has a significant impact on incomes, which are stagnating in Namur in contrast to the outlying towns. In the city, poverty is on the rise. All this has repercussions on communal finances, trade and urban attractiveness.The REHNam conferences are disciplinary scientific meetings, often transdisciplinary.More info: https://rehnam.unamur.be/conferences/index Plus d'infos

During this evening, students who have already completed an international study, training or research experience will talk to you about what they experienced and learned during their stay, and its impact on their lives and further studies. They'll answer any questions you may have about your plans to study abroad. During the evening, you can also meet international students who are currently on exchange at UNamur, and find out more about their universities. In addition, the International Relations Department and the Helpdesk will give you information about mobility grants and other financial aid opportunities.Evening schedule:19:00 - 20:00: information sessions and student testimonials20:00 - 21:00: drinkRegistration:If you would like to take part, please register by October 31, 2025 at the latest via the registration form: https://forms.cloud.microsoft/e/Fw5wakVWLu?origin=lprLink

Using Fiction to Advance Science: Film, Video Games, and Technology with NADI and Confluent des Savoirs! 

Description Nanoscope IIIa Multimode, Bruker. Applications Surface and materials sciences Expertise Acquisition of images of organic and biological molecular films, nano-objects and nanostructures, inorganic deposits, with nanometric resolutionInformation on morphology, size, roughness of imaged systems Location Faculty of Science, Building B9, Floor -1, Room #-144 Contact Francesca Cecchet - Academic and technical managerfrancesca.cecchet@unamur.be

Our platform offers a wide range of fluorescence microscopes covering a broad field of applications. We offer 2D, 3D and 4D imaging approaches, suitable for studying isolated cells, spheroids or organoids, complex tissues or entire small organisms. Our equipment allows you to observe subcellular structures at the nanometric scale and track highly dynamic cellular processes.

Characterization and functionalization solutions The SIAM platform can provide characterization and/or analysis solutions in fields such as photovoltaics, smart coatings, nanomaterials, public health, and biomedical applications, to name but a few. Our client portfolio covers several industrial sectors, SMEs, and universities. Our clients benefit from a comprehensive technical approach (one-stop shop) thanks to our research logisticians, who provide support from the initial request to the delivery of results. Learn more about the SIAM platform Expertise See content Equipment See content Case studies See content Team See content Contact | Technology platforms Synthesis, Irradiation, and Analysis of Materials (SIAM) siam@unamur.be