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Since 2017 and as part of the work of the Pacte pour un Enseignement d'excellence, eight scientific "Consortiums" of the tronc commun have been formed. They bring together a total of some fifty members from the various universities, colleges and higher arts schools in the Wallonia-Brussels Federation. Their mission is to establish, on the e-classe digital platform, a repertoire of didactic tools and pedagogical devices that the educational community will be able to consult, select and procure easily, according to its needs and those of its students. These resources are available on the e-classe digital platform.

A Hackathon is a short event where teams reflect on a particular theme. They attempt to find solutions by developing innovative projects. At the end of the event, a jury determines which projects have caught their attention and thus won the competition. A CSLabs initiative The Computer Science Labs is a junior enterprise that grew out of the Faculty of Computer Science at the University of Namur. In practical terms, its actions revolve around carrying out projects, training members on IT-related topics and organizing events. Read more

Helping us to age independently and in good health. This is the aim of Charlotte Beaudart's research into sarcopenia, an age-related disease that can occur as early as the age of 50. The work of the UNamur researcher and member of the Narilis Institute has been rewarded once again, as she has just been awarded the title of "Namuroise of the Year", for the Sciences category!

Why take part? This immersive week will highlight the importance of dignity through a series of engaging and inspiring activities. Whether you're a student, staff member or faculty member, you'll have the opportunity to discover and contribute to a university where every individual is valued and respected, and where diversity is seen as an invaluable asset.Key objectives:Promote a culture of dignity where everyone is respected, whatever their origins, beliefs or identities.To raise awareness of prevention of violence and forms of discrimination, while creating a safe framework for reporting.To foster the active involvement of the entire community in implementing this policy.By participating in , you will help build a more respectful, humane and inclusive campus, while paving the way for a society where dignity is a core value. Discover the full program here

A collection of tools to make it easier for teachers to set up cultural and artistic education activities in nursery, primary and secondary schools, to build confidence and the desire to dare.A p.ART.cour(t)? ART... Step by step... A p.ART.cour(t) is a series of introductory sessions built around a common thread. Each session lasts from fifteen minutes to two hours. Some p.ART.cour(t)s focus on a particular technique or theme... Others are built around a standard session to be reproduced on a regular basis. Some cover one or more artistic disciplines, while others are truly interdisciplinary.A p.ART.cour(t) is first and foremost a starting point, an aid, a proposal, a trigger for the teacher. It is a source of inspiration or imitation, of appropriation to freely create and/or experiment with activities in cultural and artistic education. The p.ART.cour(t) can take the form of a PDF or a digital book. Sometimes, an illustrative video or sound tracks accompany the teaching pack. The aim of p.ART.cour(t)s is to enable every student to experience art. To live, to feel, to experiment, without the pressure or obligation to produce a predefined result or one that corresponds to a standard. Consequently, the emphasis throughout p.ART.cour(t) is on the discovery, the student's encounter with art. The p.ART.cour(t)s in pictures Teacher feedbackThank you for the experience, on my own I wouldn't have dared.... And the students really enjoyed the experience, I think. (1st differentiated)Interesting interdisciplinary project. Sequences linked together so real class project. (P5-P6)My students loved it when I told them we were going to make, discover ART. We became artists. They sometimes asked me when we were going to make art again! (P1-P2) Children's feedbackI enjoyed it because the point of it wasn't to be the best, but it was more about having fun.I learned to have confidence in myself, to be less shy.How to access it?All the p.ART.cour(t)s, and many other identified existing resources, can be found on www.e-classe.be.If you're an FWB teacher (and have a cerberus account), you can access them easily: just go to the platform and type the word P.ART.cour(t) (with its funny spelling) into the search bar, you'll then arrive in a folder that brings them all together. If you're not a teacher, don't panic! You can access them via the brochure. How do I do this? In the brochure, each p.ART.cour(t) is briefly presented. You can access the free online tool by clicking on the title of the p.ART.cour(t) via a direct link. Access to a video is also found behind the icon. Discover the brochure A few examples RAS... Répertoire d'artistes surprenantes (to be discovered end of August 2025)A (re)discovery of 50 Belgian women artists through their biographies, a focus on a representative work, names of related artists to discover and educational leads. Télécharger RAS Remue-ménage colors (M2-P2)Four workshops to explore color in movement, painting and music. Read more For my ears (P5-S2)A month of musical listening, presented in the form of a digital booklet with information and listening links. Each day of the week has its own theme. Read more In the footsteps of silent cinema (P3-S3)Students create burlesque films, from script to editing to acting, after an introduction to early cinema and viewing film clips. Read more The game of artistic families (P4-S3)Inspired by the game of seven families, this device, whose illustrations are images of works of art, invites the student to select a batch of cards and explain the reasons for this subjective choice. Read more The technolab, a creative place within the school (P3-S3)Thirty or so artists and their techniques are to be discovered (e.g. pyrography for wood, textile printing, ...) as well as how fablabs work and the various tools these places offer to transfer their practices to the classroom as part of ECA and FMTTN. A creative and accessible lead is given for each artist presented. Read more Other examples elsewhere Ma petite fabrique de matériel (M-S2) Make basic art materials (charcoal, walnut stain, glue, paint...) on a small budget and suggest ways to use them. From ingredients to final production! Content available on E-class and idea networkLet's animate everything (P3-S3) Collaborative production of short animated films using the Stop Motion technique. A fun tool for developing creativity and awakening a critical eye for the media. Content available on E-class and PECATake the line for a spin (M3-P3) Workshops mixing dance and visual arts around the notion of line. Themes include geometry, doodling, writing, Chinese calligraphy, pattern and following the line.Content available on E-class and PECAOur five skins (M1-M3)Ten activities to be experienced in the classroom or outdoors around the 5 layers of a child's identity according to Hundertwasser: body, clothes, home, family and friends, and planet. Discovery of the world, openness to others and diversity, cultural references.Content available on E-class and Réseau idéeGestural listening (M1-)P.ART.cour(t) listening program comprising around ten short musical extracts, and played mainly by a solo instrument (which also enables instrument discovery). The excerpts on offer last between 40 seconds and 2 minutes, and have been designed to serve gestural listening.Content available on Genially and the IMEP

Two researchers from the Institut Patrimoines, Transmissions, Héritages (PaTHs) have just been awarded funding from the F.R.S - FNRS following calls whose results were published in December 2024. The PaTHs institute is a federation of research centers and groups that have sprung up in and around the Faculty of Philosophy and Letters. The institute is distinguished by its emphasis on critical analysis of the "traces" of the past (written, material, monumental, landscape, visual, sound...), to the point of placing the "trace" itself at the heart of scientific questioning.

In practice Who are the workshops for? Workshops are aimed at children between the ages of 9 and 12. The number of children per workshop is limited to 12 to ensure optimal learning. What are the workshop themes? Workshops enable children to discover science and technology through a variety of themes: water pollution, astronomy, electricity, cinema and history. On Wednesday June 11, the workshop will be dedicated to the fascinating discovery of bats, swallows and swifts. This fun and educational workshop will allow children to explore the mysterious world of these incredible flying creatures.What time do the workshops take place?The workshops run from 2:00 pm to 4:00 pm with reception from 1:30 pm and childcare until 4:30 pm. What are the fees for the workshops? Participation in all workshops costs€10 per child. This price includes supervision, materials and a snack for each Wednesday. Who organizes the workshops? The workshops are organized by the Confluent des Savoirs, UNamur's research outreach and dissemination unit. The team, experts in the transmission of knowledge, works in collaboration with university researchers to offer workshops in which your children question, reflect and experiment while having fun! Workshop registration

Much more than just a place of learning, UNamur is a veritable field of commitment.Here, every student has the opportunity to get involved according to his or her aspirations, and to make a concrete contribution to campus life and meaningful projects.

The UNamur university community took part in the first round of the rectoral election on April 14 and 15, 2025. With 82.07% of the vote, Annick Castiaux has been confirmed in her new 4-year term as Rector.

As part of the English course given in the first year of science-medicine, students are introduced to the popularization of scientific concepts in the form of videos. This is the "It's not Rocket Science" project, proposed by Natassia Schutz and Aude Hansel, professors at UNamur's School of Modern Languages (ELV). This year's competition prize-giving event featured a highlight: a live audio connection with Donald Pettit, American astronaut, currently aboard the International Space Station.

Synopsis The spreading of internet-based technologies since the mid-90s has led to a paradigm shift from monolithic centralized information systems to distributed information systems based upon the composition of software components, interacting with each other and of heterogeneous natures. The popularity of these systems is nowadays such that our everyday life is touched by them.Classically concurrent and distributed systems are coded by using the message passing paradigm-according to which components exchange information by sending and receiving messages. In the aim of clearly separating computational and interactional aspects of computations, Gelernter and Carriero have proposed an alternative framework in which components interact through the availability of information placed on a shared space. Their framework has been concretized in a language called Linda. A series of languages, referred to nowadays as coordination languages, have been developed afterwards. In addition to providing a more declarative framework, such languages nicely fit applications like Facebook, LinkedIn and Twitter, in which users share information by adding it or consulting it in a common place. Such systems are in fact particular cases of so-called socio-technical systems in which humans interact with machines and their environments through complex dependencies. As coordination languages nicely meet social networks, the question naturally arises whether they can also nicely code socio-technical systems. However, answering this question first requires to see how well programs written in coordination languages can reflect what they are assumed to model.This thesis aims at addressing these two questions. To that end, we shall use the Bach coordination language developed at the University of Namur as a representative of Linda-like languages. We shall extend it in a language named Multi-Bach to be able to code and reason on socio-technical systems. We will also introduce a workbench Anemone to support the modelling of such systems. Finally, we will evidence the interest of our approach through the coding of several social-technical systems. The Jury Prof. Wim Vanhoof - University of Namur, BelgiumProf. Jean-Marie Jacquet - University of Namur, BelgiumProf. Katrien Beuls - University of Namur, BelgiumProf. Pierre-Yves Schobbens - University of Namur, BelgiumProf. Laura Bocchi - University of Kent, United KingdomProf. Stefano Mariani - UNIMORE University, Italy Participation upon registration. Register here

The university has a duty to set an example in terms of sustainable development, in all three of its dimensions: economic, social and environmental. Sustainable "in form" through the way it manages its infrastructures and assets, and sustainable "in substance" through its commitment to research and teaching activities, in order to actively contribute to the environmental transition. All in line with the United Nations' Sustainable Development Goals (SDGs).