The archives of the Middle Ages under the microscope of Jean-François Nieus

This is a thread that Jean-François Nieus has been pursuing for some twenty years, as part of research into the uses of writing, which elevates documents to objects of history in their own right. This approach, developed over several decades, sheds light on medieval society in all its dimensions: cultural, of course, but also social, political, economic, and religious. "Writing was rare in the early Middle Ages. It gradually gained importance in social practices, with a clear shift in the 12th and ^13th centuries—i.e., during the High Middle Ages—when people began to write much more and diversify the formats and functions of writing," he explains. 

Jean-François Nieus is particularly interested in documentary productions associated with the exercise of princely power and seigneurial management, within an area stretching from the Anglo-Norman world to the Southern Netherlands. Princely and noble archives are essential for understanding the relationships of domination in the so-called "feudal" age, that of territorial principalities and seigneurial lordship, but also issues of family identity and lineage, which were central concerns of the aristocracy. "After the mid^-12th century, most noble families began to keep archives, initially consisting of a few received charters, but soon enriched with their own administrative productions. Although the majority of these secular collections have now disappeared, there is evidence of their existence," he explains. The vicissitudes of the history of the great families and the French Revolution contributed to the loss of these fragile documents, so that today only a handful of archives from ^the 12th and 1^3th centuries remain.

Those studied by Jean-François Nieus nevertheless cover a wide range of types: they include "chartriers" (collections of original charters), "cartulaires" (collections of copies of charters), "formulaires " (collections of model charters and letters), "censiers" (descriptions of the property and income belonging to a seigneury), lists of vassals and fiefs, accounts, etc.

Jean-François Nieus also carries out critical editing work. He will soon publish the archives of the Béthune family (now Pas-de-Calais), as well as those of a small abbey linked to these lords, Saint-Jean-Baptiste de Chocques, whose collection, destroyed during the French Revolution, he is reconstructing.

This patient and meticulous work of discovery, deciphering, studying, and publishing sources that are sometimes very scattered helps to restore the memory of an era and enrich the documentation available to researchers.

In addition to administrative writings, Jean-François Nieus is also passionate about an auxiliary science of history: "sigillography," the study of seals. These small wax discs attached to official documents provide a unique window into the cultural representations of the time. In particular, they show how, after 1066, under the influence of William the Conqueror, a new image emerged: that of a knight on his galloping horse, weapon in hand. This motif, which was completely new at the time, quickly spread among princes and nobles, becoming a powerful symbol of chivalry.

Following this evolution, Jean-François Nieus also traces the spread of coats of arms—heraldry—which he sees emerging in the early ^12th century in northern France and the Anglo-Norman region. Equestrian seals, heraldic signs, and chivalric rites such as tournaments thus formed a cultural community that invented and asserted itself in this area.

If the Middle Ages fascinate Jean-François Nieus so much, it is undoubtedly because of their strangeness: a world very distant from our own, often distorted by stereotypes. "It's a difficult period to popularize because it's so different from our own, even though, in reality, we owe it a great deal. What's more, perceptions of it are marred by numerous clichés, and the general public still views it very negatively, as reflected in everyday language by the sinister adjective 'medieval,'" observes the researcher.

What are the reasons for this negative view? The perspective of intellectuals in subsequent eras, who saw it as the origin of all the archaisms they wanted to combat. Nineteenth-century historians, who gave the discipline its scientific foundation, also passed on erroneous interpretations, which contemporary research is gradually correcting. 

Jean-François Nieus appeared in episode 1 of season 3 of the documentary series "Batailles de légende" (Legendary Battles), which focused on the great battle of Bouvines between King Philip II Augustus of France and a coalition led by King John of England (1214).